The Mixolydian blues scale is a nice choice for coloring basic Mixolydian lines. Scott McCormick is a musician and the author of the Mr. Notice how the notes in each Mixolydian scale contain the arpeggios, or chord tones, for chords in the A blues. You’ll sometimes see this scale called simply the Mixolydian Blues scale, as you can create this scale with just the Blues and Mixolydian scales, but I prefer Mixo-Dorian Blues because it helps you think about how to approach using it. To illustrate how these scales overlaps, we can use the C Mixo-blues Scale as a starting-point: G, A, Bb, B, C, Db, D, E, F &4 4 œ ^ œbœnœœ#œœ C7 œ ^ bœœÓ œ^bœœœ#œnœœbœ ^ œœ Ó & 5 œ ^ œbœnœbœnœœ F7 œ^bœœÓ œ^bœœœœbœœbœ ^ œœÓ & 9 bœ ^ œbœnœbœnœœ Thanks for the article nice to see the more recent example as well Josh Perkins. One example of this is “I Can’t Explain” by the Who, which uses the standard mixo I-bVII-IV progression for the intro and verses, but then switches to major for the refrain (I-vi-IV-V). Mixolydian, one of the seven modes of the major scale, is also one of the most popular modes among guitarists across a wide variety of different genres. Mixolydian is a great scale to experiment with in a major blues context. An effective solution when you want to add a bluesy touch and spice up your playing over any dominant seventh chord. The Mixo-blues is as the name implies a scale used in blues. The standard “Mixolydian progression” is I-bVII-IV-I (C-Bb-F-C) and can be found in numerous songs (think of the outro in “Hey Jude”). (You can hear that flat 3rd note in the song’s most famous lick.). And as you might know, the dom7 chord is the main ingredient for blues music. It has more note choices than the blues scale, and can be used to create a more authentic, informed jazz solo over a blues. The “Mixo-Dorian Blues” Scale combines three scales into one scale. But if you think about switching between the three scales as you perform (start with Dorian, go to Blues, then to Mixolydian) you’ll have much more success. You’ll see why guitar masters like Eddie Van Halen, Angus Young, and Duane Allman all loved Mixo-Dorian Blues. IMO, the most powerful example of the use of the mixo bVII in a hybrid has to be in the chorus of Angel from Montgomery (on the word “angel”), whereas the stanzas are pure ionian. Basically, if you’re in a major key and you hear a flat-seventh chord, you’re in Mixolydian. FIGURE 1 … The idea is to use it in combination with the more staple pentatonic scales. Let’s continue exploring various modes and stimulate creativity by expanding your musical vocabulary. The folk revival and British Invasion helped with this, which goes further back to earlier American and British folk / Celtic etc, often shifting between the two scales. Your email address will not be published. So, queue up a nice Mixolydian chord progression and try it out. C Mixolydian scale Music written in the Mixolydian mode. Save my name, email, and website in this browser for the next time I comment. There might have been a time when fans of popular music would have found that flat-seventh note rather jarring, but since the 1950s, rock, blues, and country artists have used the Mixolydian mode so frequently it hardly even registers as a mode at all. Dorian is the same as Mixolydian, except it’s a minor mode, rather than major. But most musicians playing music influenced by the blues will tend to want to use the flattened 3rd note. Get bluesy with Mixolydian and the Mixo-Dorian Blues. One nice example is “This is a Low” by Blur. Using suspended chords in your songwriting So many artists will either ignore using a five chord altogether or they’ll fudge it and use a dominant V chord. When the chord changes from C7 to F7 in our Blues progression, the Mixolydian scale of the moment would now change to F Mixolydian as well. This influence from the scales used in lots of blues and rock playing makes the mixolydian mode a great option to give a different feeling to your playing when you solo over progressions where you might normally use the minor pentatonic or blues scales. The mixo-blues scale can be confusing because of its different names. If you try to play the MDB scale the way you do any other scale, you’ll soon get frustrated. Surprise ‘em with the major mediant chord In fact, using a Bb major chord in the key of C is so much more common than using a Bdim chord, you could argue that the pure major scale is far less common than some sort of major/Mixolydian hybrid is.