The Harmony balances out the development in the rhythmic and melodic material. 4 5. *#472290 - 0.57MB, 7 pp. The articles will cover the technical, harmonic and compositional analysis of Haydn sonatas. Thematically speaking, the 'A' of the Elaboration has the same structure as the 'A' of the Exposition; three bars of broken chords, two bars of the condensed material and then the Cadence. It is the only one the composer ever had written in the minor mode. This Sonata is one of Haydn's best Transitions; there is a dense motivic activity; A constant dialogue in between the right and the left hand is crowned with rich melodic expression; and after a section with shorter subdivision sextuplet semiquavers goes to an adagio. Balanced phrases are shown, and a traditional harmony operates; Haydn only modifies the accidentals to add some leading notes to dominant chords, only twice in these first eight bars. Combinations of forearm and finger movements are required. Haydn: Piano Sonata in F Major Hob.XVI:23 Analysis. 8 6. 10 8 (-) - V/V/V - 501×⇩ - IS, Complete Score Larghetto 3. 6 [4] The music critic Stephen Plaistow, writing in Gramophone, suggests that the sonata is "one of Haydn’s best and perhaps also the first great sonata for the piano by anybody". 2 The Second Movement is usually slow, as in this piece, an 'Andante', which means "at a walking speed". (-) - V/V/V - 567×⇩ - IS, Complete Score The first addition in bars 29-33 is necessary to return to the home key. Stay tuned for our second and third movements analysis of this beautiful first piano Sonata. (-) - V/V/V - 4971×⇩ - Choul, Complete Score This time the direction chosen to continue the action is climbing until an exciting peak. On the graph we can see how the right hand is singing with the subdivision in six, climbing with the first note of the pattern each time, until reaching a delicate leading note (high A-flat) and then how the left-hand keeps on with the same rhythm now as an accompaniment. 10 Double Bar and Repeat. Almost twenty years later, Mozart will challenge this idea in reverse engineering and write his famous Sonata K331 in A major involving no movement out of the three in sonata form. As in many other Haydn sonatas, one of the main music-generators is the thirds, after that also sixths. 2 6 In the graphic below the unusual Transition: The secondary theme starts playfully in E flat Major with descendent short values. *#75160 - 1.74MB, 10 pp. Page size is 8.47 x 11.65 inches. 0.0/10 4 Moreover, the accompaniment changes to a lighter texture (more linear than the beginning), while we see the first non-harmonic notes and the first chromatic modulation. © 2012 by Juan J. Rezzuto. Apr 21; 6 min; Haydn Sonata in C … 4 This pattern happens later in different voices: on the lower octave first, and most frequently accidentals appear as we start our way to E flat Major: the relative Major. The tone should be neat and pure to maintain the cleanliness of the sound. The acceleration is extended with the exact repetition in bar 5, which works like an echo (notice the suggested piano in dynamics), closing it thematically, and moving to the Transition. The chosen range of the piano to cadence is over lower than average in this style: Synchronized forearm movements are required to play every double note or chord. Our presentations and galas are the occasions when these pieces are going to be both explained and performed. The melody sounds different and bit dreamlike under this new primary basis. Our fingers should be ready to articulate at a maximum level to reach the dexterity needed to perform this piece.