For years, the cartoonist didn’t make public comments. Following the trail of such small discoveries is like hunting for Easter eggs. But not as bad as Democrats want, COVID-19 vaccines’ scary side effects must not be dismissed, Andrew Cuomo is the latest COVID-19 hypocrite, What Americans should be doing now for the future, Election fraud to any degree destroys trust, How Congress can cut import taxes before the end of 2020, Trump faces critical choice about his political future, Fight against electoral fraud is a fight against totalitarianism, Steps needed to build an apolitical, robust and secure voting system in America, Don’t cancel student debt; teach students and graduates to make better decisions. As we revisit this wonderful strip, or discover it for the first time in this excellent book, all eyes and ears will be focused on these two lifelong friends. We appreciate your understanding. In the last panel, Calvin turns to the reader and says, with a knowing smile on his face, “Sometimes I think I learn more when I stay home from school.” Some readers actually claimed that strip encouraged kids to stay home and objected to their newspapers and to us. Rarely have I encountered a quote so apt for this site and its contents. I had a sheltered childhood. He offers thoughts on webcomics as both more democratic and less lucrative: * On reading online comics vs. pre-curated newspaper comics: “I like comics more than most people, but I don’t want to personally scavenge for them.”, * On the expectation that online comics be free: “When we don’t pay for what we consume, we’re exploiting people’s talent and hard work.” (And related to that, let’s hope people and outlets don’t “pirate” this interview without paying; at least until the museum offers it someday for free. The second exhibition of Watterson’s Calvin and Hobbes at the Billy Ireland Cartoon Library & Museum. Which brings us to The Interview, which, at a roomy 35 pages (including inviting spot art), is joyously more than one-fifth of this book. Trump hails Supreme Court, hits links on Thanksgiving. While providing an opportunity to study Watterson’s mastery of the comic strip art form through engaging characters, thoughtful writing, and … Exploring Calvin and Hobbes revisits the beloved comic strip created by Bill Watterson from 1985-1995. Each side had its points, but eventually we were able to get past all that. This was before email had really caught on and it took effort for the many fans – both children and adults – to actually write and send a letter. It still is, to my mind. There were a handful of neighborhood kids about my age, so we messed around unsupervised in a way that kids don’t seem to do anymore. Click Quiz: Can you pass the Declaration of Independence test? He didn’t realize “what a weird, strange strip” it was, noting “Snoopy and the more fantastic, silly stuff … really grabbed me,” especially the “Red Baron strips.” In his view, “Peanuts was one big, long cartooning class for me - even the writing, which I wasn’t aware I was absorbing.” The length and pace of a story, how to create suspense — I soaked up all those things just from reading it so much.”, Walt Kelly’s Pogo was also a major influence. Billy Ireland Cartoon Library & Museum Reopening Plans, ARL Member Libraries COVID-19 News: August 24–28 - Association of Research Libraries, BICLM Zoom Background Series: George Herriman’s Krazy Kat, Virtual Event: Cartoonist Keith Knight addresses America’s Racial Illiteracy, Found in the Collection: Political Cartoons on Police Brutality. It was so breathtakingly simple, fresh and professional that I had to set it aside with the thought, “This can’t be as good as I think it is.” On a second look, and subsequent looks, it was. For a complete list of all current and announced editions, with review links, please visit our Index. What will you do when the mob shows up at your front door? It covers a lot of interesting topics in a very thoughtful way. It’s hard to reconstruct this accurately, though. Now, in a single wide-ranging and revealing and illuminating and engrossing and self-deprecating and poignant and, of course, deeply funny interview, Watterson has proved more generous than we perhaps could have ever hoped for.