This theory, divided into several categories, looks at how symbolism is structured and what they communicate within a story. Jorge Luis Borges wrote "The Circular Ruins" in 1939, and the story was first published as "Las ruinas circulares" in the journal Sur in December 1940. 'The Circular Ruins' by Jorge Luis Borges is a fantastical short story classified as magical realism, or a literary tradition in which supernatural elements arise in realistic settings. "The Circular Ruins" encapsulates many themes important to Borges, in… It employs imagery and symbols that are digestible and tangible, that allude to how a work of art is created, such as a work of literature. The best theory to analyze The Circular Ruins, by Jorge Luis Borges, is the theory of Structure and Semiotics. Coupled with his style of writing, which is classified as Magic Realism… The use of metaphors, in terms of structure and semiotics, are inherent in the The Circular Ruins. The Circular Ruins 6. Just such a story, transposed into fantasy, is “The Circular Ruins.” Unlock This Study Guide Now. Anthony Kerrigan first translated the story into English for the American publication of Ficcionesin 1962. The temple ruins appear to have one been colored like fire, but now have an ash color, destroyed by fire. Upon resting there, he finds that his wounds magically heal - but he is not surprised to see this. The story begins with a wounded foreigner from the south of Persia fleeing to ancient circular ruins in the north. The following year it was included in Borges's short fiction collection El jardin de senderos que se bifurcan (The Garden of Forking Paths), and in 1944, it was published again in Ficciones.