The 2nd phrase begins much like measure one (the only difference is that the 2nd phrase begins with a rich 3-note chord - a first inversion d minor, with a deep low F in the bass), and in the course of its 4 measures takes us to F Major, the relative major of d minor. My Interpretation of Bach's Minuet in D Minor, BWV Anh. There is an IAC in measure four, which is the first occurrence of a cadence. This is one of a number of pieces of doubtful authorship from the Notebook for Anna Magdalena Bach, a collection of keyboard pieces given to her by her husband J.S. This allemande is faster than the typical dance (mainly because of the constant running 16th notes), but the stately and serious mood of the dance comes through clearly. 132, Cello Suite No.1 in G major, BWV 1007 (complete), Prelude and Fugue no.21 in Bb major BWV866 from 48 Preludes and Fugues Book 1, Orgelbuchlein und andere kleine Choralvorspiele, J.S.Bach: Toccata And Fugue In D Minor (Piano), 16 Etudes de Virtuosite D'Apres J.S.Bach Trompette, Click here for more info on subscriptions. There is an error in the URL entered into your web browser. This lone and simple but deeply emotional D drops to a low D and then continues with an ascending scale figure to the final phrase, a coda of sorts, starting in F Major and very emphatically based on an ascending F-F#-G-A-D bass line. In the last video, we took a look at the history and structure of the typical Baroque dance suite. /ImageC Today I’d like to look through one of the famous dance suites by JS Bach, written for keyboard: the Bach French Suite no. [embedyt][/embedyt]. The minuet pair (meant to be played as Minuet I, Minuet II, then Minuet I again) are the simplest, and the suite finishes with an ornate gigue. 132 sheet music, Bach - Minuet in D Minor from Notebook for Anna Magdalena Bach BWV Anh. endobj For piano solo, compiled by J.S.Bach for his second wife. Bach wrote a set of six French Suites, of which we’ll be focusing on the first. It’s also somewhat misleading that Bach’s English Suites actually sound more French in nature than his so-called French suites. In each suite, all of the dances are in the same key (to provide unity between the dances). The next dance in the set, the courante, is fast and insistent like the allemande. He spent most of his life as a church organist and a choir director. Three-note chords occur throughout the 1st menuet, making the multi-voice writing very clear and the harmonic progressions immediately recognizable. The bass line in this menuet is particularly interesting: it’s primarily characterized by descending scale-wise motion, with occasional and meaningful exceptions. We will use the letters a and b to identify the motives. My Interpretation of Bach's Minuet in D Minor, BWV Anh. These suites are nowadays known as “French” suites, but Bach himself didn’t give them that title (He called them “Suites for Harpsichord”. >> In essence, that bass line defines the shape and direction of entire menuet. Description: Minuet in D minor, from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. For piano solo, compiled by J.S.Bach for his second wife. In effect, those 1st four measures are an introduction, foreshadowing the overall mood of the movement. /Annots [ 26 0 R ] /Height 3346 /Rows 3346 Performer: Marco Alejandro Gil Esteva (Piano) The d minor Allemande begins with an opening upbeat 16th note followed by a solidly stated 4-note d minor chord. (Four reasons and remedies), I Teach 50 Adult Students, and These Are the Books That Never Leave My Desk, Has a halting sound due to emphasizing the second beat, Some suites have two minuets played back to back. From the 3-note chord on beat 1 of measure 2 we sense a 3-voice structure; musical arrival points throughout the movement are marked by 2- or 3-note chordal writing (measures 6, 18, 21 – just a sixteenth note double stop here! 1 0 obj 2 0 obj Following this strong opening, the movement proceeds in a direct fashion with flowing sixteenths alternating with eighths, 3- and 4-note chords strategically placed at important cadence points. Inserting a menuet between the Sarabande and gigue is optional, since it’s not one of the core four dances – but it does add more interest and variety. The B section in this short little menuet serves as a peaceful major-key contrast for a few moments, like glimmers of sunlight through the clouds. Let’s take a listen to a few moments of each menuet. Harmonically, measure 5 is a B-flat Major 7th chord, a very rich, open sounding sequence of notes that leads to a circle of fifths progression over the next several measures. It’s in 3/8 meter and characterized by a sort of rocking motion, consisting of a repeated eighth-quarter rhythm (as in the 1st two measures) or groups of 16th and 8ths (as in measures 5 and 6). The BWV 851 fugue in D minor is an excellent example of effective use of contrapuntal techniques like transformation by inversion or contrary motion, invertible counterpoint and stretti.. Exposition. As we monitor our bass line in this incredibly rich music, we find it leading, gradually but consistently, to the all-important pitch “A,” the dominant of d minor. /Parent 3 0 R The Courante of the d minor suite is a wild ride of fast sixteenth notes – here the performer’s virtuosity is on full display. Privacy | The Chaconne has long been recognized as one of Bach’s masterpieces. /OpenAction [ 20 0 R Join the Songwriting Workshop: Music Theory Basics for Beginners! Bach wrote hundreds of pieces for organ, choir, as well as many other instruments. About 'Minuet in D Minor from Notebook for Anna Magdalena Bach BWV Anh. 132. /Text In fact, we do experience g minor in a very full, clear way when we arrive at the downbeat of measure 16. After that, Bach alternates some optional dances, such as the minuet or gavotte. It was a style that became popular during the late Baroque era, as music began to shift in a new direction. In this part of the lesson, we’re going through the 3 motifs separately to see how each one is treated, transformed and used. See here for instructions on how to submit your own recording! >> Then we’re on our way home, through a very rich, chordal phrase that lands on a single D in measure 24. Listeners and performers alike must catch their breath after this movement before continuing with the poignant Sarabande! The 2nd menuet provides a perfect and well-timed balance to the intensity of the 1st; it’s beautifully simple, appealing, and inviting, so that the return to Menuet 1 that follows is delightfully shocking. She was his second wife (the first, Maria Barbara, passed away in 1720). CSS, by Johann Sebastian Bach, arranged for flute and bass instrument, Flute Sheet Music: Les Muguets (J.B. de Boismortier), Flute Sheet Music: Polonoises (J.-C. Naudot). Bach’s French suites are a little easier than the English suites. Minuet in D minor BWV ANH 132 by Bach on piano, by Paul Hameed. 132 November 22, 2013 Cory Hall This is in my opinion one of the finest pieces in J.S. %PDF-1.4 >> stream Johann Sebastian Bach Notebook for Anna Magdalena Bach. This is one of a number of pieces of doubtful authorship from the Notebook for Anna Magdalena Bach, a collection of keyboard pieces given to her by her husband J.S. /Fabc11 11 0 R He gave her the French suites to help her learn piano – she was very musical, but was much more of an advanced singer than a keyboardist. This Sarabande is the emotional centerpiece of the entire suite, bringing us back to the deep, dark, rich, and personal feeling of the Prelude. Henle ranks the English suites between levels 6-7 (fairly advanced), whereas the French suites are level 4 to 5/6. Finally, the suites are finished with a lively gigue. /Type /Catalog 132' Artist: Bach, Johann Sebastian (sheet music) Born: 21 March 1685 , Eisenach Died: 28 July 1750 , Leipzig The Artist: One of the greatest composers of all time. The 2nd half of the movement begins very much like the 1st (now in F Major, the relative major of our home key), and continues with the same rhythmic excitement we’ve experienced in the 1st half. [embedyt][/embedyt]. Bach wrote hundreds of … As we listen, we need to focus not only on the harmonic progression and rhythmic flow of the music, but also on Bach’s incredibly ingenious use of multiple melodic and accompanimental voices. The page you are looking for has been moved or deleted. This is either because: You can return to our homepage by clicking here, or you can try searching for the /ProcSet [ /PDF Phrase one establishes the tone and character of our d minor key center and brings us to a V chord, flowing back to d minor at the start of measure 5.